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<channel>
	<title>Adam West</title>
	<link>https://adamwest.xyz</link>
	<description>Adam West</description>
	<pubDate>Tue, 21 Apr 2026 11:49:56 +0000</pubDate>
	<generator>https://adamwest.xyz</generator>
	<language>en</language>
	
		
	<item>
		<title>Table Studies</title>
				
		<link>https://adamwest.xyz/Table-Studies</link>

		<pubDate>Tue, 21 Apr 2026 11:49:56 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Table-Studies</guid>

		<description>TABLE STUDIES (2026)
Bedside Table - 2026
Eucalyptus Red Grandis
590x370x500 MM


	&#60;img width="3767" height="5651" width_o="3767" height_o="5651" data-src="https://freight.cargo.site/t/original/i/b4b83336e7bcb4026121bfa0ae2013133b253160e8b0205e7005382f45a04ce1/Table1_1.jpg" data-mid="248184588" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b4b83336e7bcb4026121bfa0ae2013133b253160e8b0205e7005382f45a04ce1/Table1_1.jpg" /&#62;
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Tea Table - 2026Eucalyptus Red Grandis460x400x700 MM

&#60;img width="3631" height="5446" width_o="3631" height_o="5446" data-src="https://freight.cargo.site/t/original/i/f3759dc51c9f1eaa8ff6aa6925ae0bf54c5c4168ae7ec2192795a66b871a0c38/teatable_2.jpg" data-mid="248192303" border="0"  src="https://freight.cargo.site/w/1000/i/f3759dc51c9f1eaa8ff6aa6925ae0bf54c5c4168ae7ec2192795a66b871a0c38/teatable_2.jpg" /&#62;

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</description>
		
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	<item>
		<title>Infra-Sculpting Portland</title>
				
		<link>https://adamwest.xyz/Infra-Sculpting-Portland</link>

		<pubDate>Tue, 14 Jun 2022 13:36:37 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Infra-Sculpting-Portland</guid>

		<description>INFRA-SCULPTING PORTLAND


	




The
research began with a fascination for unearthing events too fast or slow for us
to usually notice, using filmic techniques to make connections across speeds of
time.



In
an abandoned gulley in Tout Quarry, Portland, the project sets up an ecology of
dependencies between different speeds of change - building upon an existing
sculpting infrastructure. Where sculpting often represents a desire to extend a
moment, occupants learn to carve increasingly short durations, as opposed to
instants, or still lives. These dependencies are sculpting studios of
increasing difficulty - students progress from one studio to the next in a
process of becoming ever more temporally acute; discovering the richness
beneath the site’s veil of inactivity. Over ‘time’, the sculpting generates a
relief map of un-noticed changes across the walls of the gullies; an evolving
atlas of infra-events. 
To support these durational
acuities, the facility is partially constructed from un-noticed dust from the sculpting
process. Forming like stalactites, the wind affects the shape of artificially
created ‘geological’ shells, which reciprocally affects the wind as it passes
through. Spaces inhabit these shells - turbulent wind flows prevents
habituation, creating a slower experience of duration; whereas the consistency
of laminar flow is utilised for faster durational experiences, and for
ventilation.








	


Year 5 Project

Unit X25:&#38;nbsp; Nat Chard, Emma-Kate Matthews
Site Location: Tout Quarry, Isle of Portland, Dorset
Date: January - May 2022
The Bartlett Online Summer Show 2022

X25 Website





&#60;img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/d99f8f434463c547f2d0751438553d60558224ed02baf28127e1f823c4685c93/overall.jpg" data-mid="145401970" border="0"  src="https://freight.cargo.site/w/1000/i/d99f8f434463c547f2d0751438553d60558224ed02baf28127e1f823c4685c93/overall.jpg" /&#62;Studios create inter-durational dependenciesThree studio spaces are designed to form relationships between events occuring on different speeds of time. Being filmed, a model/instrument containing fragments of these studios was used as a design tool.

 &#60;img width="7290" height="2180" width_o="7290" height_o="2180" data-src="https://freight.cargo.site/t/original/i/a309bf1a9b7b45c0a4567666a894cf2515e612b567aad61691605f5ed0a0053b/BARC0175_22_WestAdam_PG25_Portfolio02-29.png" data-mid="152436566" border="0"  src="https://freight.cargo.site/w/1000/i/a309bf1a9b7b45c0a4567666a894cf2515e612b567aad61691605f5ed0a0053b/BARC0175_22_WestAdam_PG25_Portfolio02-29.png" /&#62;&#38;nbsp;
&#60;img width="1820" height="1820" width_o="1820" height_o="1820" data-src="https://freight.cargo.site/t/original/i/941f890cedb9afd7d449a027eafbc9dc372575b37f0b9390203e530b89bad662/render1.png" data-mid="145402108" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/941f890cedb9afd7d449a027eafbc9dc372575b37f0b9390203e530b89bad662/render1.png" /&#62;&#38;nbsp; &#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/1ba323eb903a153cc4d71d5eb3e5332b02dd38776c186edb9374dcd61f3ad3fb/model1.JPG" data-mid="145402005" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/1ba323eb903a153cc4d71d5eb3e5332b02dd38776c186edb9374dcd61f3ad3fb/model1.JPG" /&#62;



Oberservational Interstices The observer slowly moves down the Gulley, watching local passer-bys, who experience time quickly due to taking the same route each day; 
using them as a study. 
The prickly sense of being watched is increased for the passer-by also, increasing their durational acuity.






	&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/50c736b8a4c0b813dce554efb70d916e672bc174af6365f99d0e55a44fea105d/perspective1.jpg" data-mid="145402318" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/50c736b8a4c0b813dce554efb70d916e672bc174af6365f99d0e55a44fea105d/perspective1.jpg" /&#62;
	
	

Atlas of Infra-Events

A relief map of infra-events is created by the sculptors. Learning to read it provides the viewer with knowledge from other time-speeds. The fast studio creates many small, detailed carvings that criss-cross over one another; whereas the slow studios create larger, less detailed reliefs. In this case, the lead sculpor has sculpted over a slower relief.




	

Durational Tectonics
A reciprocal relationship between wind and architecture is created. In this way, the architectural language creates a dependency between phenomenal time (wind) and geological time (shells).

Air texture is used to manipulate durational acuity.&#38;nbsp;Beginning in the ‘fast’ studio as thin, jagged, rippling shells - the layers build up and erode, becoming ever smoother. This creates smoother, more comfortable airflow utilised for studying slower changing phenomena. The younger, jagged shells create unpredictable vortices, which aid the study of fast changing phenomena.




	
	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/0b6ebe1c2eada058f9affcc5d8a5224476371d42a00d241c052e02fb84236039/model2.jpg" data-mid="145402030" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/0b6ebe1c2eada058f9affcc5d8a5224476371d42a00d241c052e02fb84236039/model2.jpg" /&#62;



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	&#60;img width="3400" height="4676" width_o="3400" height_o="4676" data-src="https://freight.cargo.site/t/original/i/3af478e9cd0049681801d477e444fc5dc449018a25fc7d13b1d1894c6434bfde/003---Copy.png" data-mid="152393888" border="0"  src="https://freight.cargo.site/w/1000/i/3af478e9cd0049681801d477e444fc5dc449018a25fc7d13b1d1894c6434bfde/003---Copy.png" /&#62;

	&#60;img width="3400" height="4676" width_o="3400" height_o="4676" data-src="https://freight.cargo.site/t/original/i/76866c44186f70e57984551efac47718ebd59d0265acfe52d66d09760eebf4be/008---Copy.png" data-mid="152393834" border="0"  src="https://freight.cargo.site/w/1000/i/76866c44186f70e57984551efac47718ebd59d0265acfe52d66d09760eebf4be/008---Copy.png" /&#62;
Oberservational Interstices The observer slowly moves down the Gulley, watching local passer-bys, who experience time quickly due to taking the same route each day; 
using them as a study. 
The prickly sense of being watched is increased for the passer-by also, increasing their durational acuity.


 &#60;img width="4000" height="1698" width_o="4000" height_o="1698" data-src="https://freight.cargo.site/t/original/i/49b2f981ce63de3f38ab9f09405ba5ec54dbfa69da9e71f87186975c013e181a/plan.jpg" data-mid="145402214" border="0"  src="https://freight.cargo.site/w/1000/i/49b2f981ce63de3f38ab9f09405ba5ec54dbfa69da9e71f87186975c013e181a/plan.jpg" /&#62;

+2.6m Plan





&#60;img width="4000" height="1698" width_o="4000" height_o="1698" data-src="https://freight.cargo.site/t/original/i/fd53c84d00d44ac68a7e004243016f67d594edc7e5ad9ca14d078e2a21fcf13d/section.jpg" data-mid="145402235" border="0"  src="https://freight.cargo.site/w/1000/i/fd53c84d00d44ac68a7e004243016f67d594edc7e5ad9ca14d078e2a21fcf13d/section.jpg" /&#62;

Section A-A








</description>
		
	</item>
		
		
	<item>
		<title>Time Constructs</title>
				
		<link>https://adamwest.xyz/Time-Constructs</link>

		<pubDate>Tue, 14 Jun 2022 13:56:59 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Time-Constructs</guid>

		<description>TIME CONSTRUCTS


	




A written study of Jeff Desom’s reinterpretation of Hitchcock’s Rear Window using Deleuze, deriving insights into how time perception works in architecture. As part of the study, a method of creating durational images from filmic extracts was invented. In these images, the present is understood not as an instant, but as having width, or duration.


	


Year 5 Thesis
Supervisor: Christophe Gérard
Date: January - May 2022



	&#60;img width="1184" height="720" width_o="1184" height_o="720" data-src="https://freight.cargo.site/t/original/i/3953d43817b734a65c88d41f99469affd96f1db0afc9a4bcb8afd69513cdfb2a/RearWindow-1-45-43-18-1.jpg" data-mid="153661418" border="0"  src="https://freight.cargo.site/w/1000/i/3953d43817b734a65c88d41f99469affd96f1db0afc9a4bcb8afd69513cdfb2a/RearWindow-1-45-43-18-1.jpg" /&#62;
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	&#60;img width="1184" height="720" width_o="1184" height_o="720" data-src="https://freight.cargo.site/t/original/i/3ed84ef9008aeee07d0c9b4a42591dfa172a843a1c464f9cb98aa30ffdcac2de/RearWindow-0-02-4wefwf0-01-1.jpg" data-mid="153661449" border="0"  src="https://freight.cargo.site/w/1000/i/3ed84ef9008aeee07d0c9b4a42591dfa172a843a1c464f9cb98aa30ffdcac2de/RearWindow-0-02-4wefwf0-01-1.jpg" /&#62;
	&#60;img width="1184" height="720" width_o="1184" height_o="720" data-src="https://freight.cargo.site/t/original/i/11bbfba188b3723b64ba6eee4dff6937f9d0dc3ee7eaffedfc0d248c5e8dc4c2/RearWindow-1-48-06-15-1.jpg" data-mid="153661333" border="0"  src="https://freight.cargo.site/w/1000/i/11bbfba188b3723b64ba6eee4dff6937f9d0dc3ee7eaffedfc0d248c5e8dc4c2/RearWindow-1-48-06-15-1.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>X25 Summer Show</title>
				
		<link>https://adamwest.xyz/X25-Summer-Show</link>

		<pubDate>Sun, 25 Sep 2022 14:03:53 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/X25-Summer-Show</guid>

		<description>AN ECOLOGY OF ARCHITECTURAL KNOWLEDGE


	




Where the majority of our unit’s practices took place physically, as opposed to digitally - the school’s decision to reduce show space from an entire room, to a wall (about 3x2.5m) was a substantial restraint. 
In order to show as much handmade work as possible, we created a steel armature that would allow work to be layered on top of each other - projecting from the wall. This layering allowed us to make meaningful relationships between projects based on the Isle of Portland; an ecology of architectural knowledge. Such a layering also dissuaded passive viewing - some works could only be seen by moving around and peeking through others.

	



X25 SUMMER SHOW


Date: June 2022



All work seen here is a collaboration between members of the unit, not my own. 
See below for more info.
The Bartlett Online Summer Show 2022

X25 Website





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&#60;img width="1182" height="830" width_o="1182" height_o="830" data-src="https://freight.cargo.site/t/original/i/03a4b242e15a360eaeb7f583123e3da72e24dd9b657b664222a8555fec185baf/IMG_9656-1.JPG" data-mid="154009832" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/03a4b242e15a360eaeb7f583123e3da72e24dd9b657b664222a8555fec185baf/IMG_9656-1.JPG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Anticipatory Ecologies</title>
				
		<link>https://adamwest.xyz/Anticipatory-Ecologies</link>

		<pubDate>Fri, 01 Apr 2022 19:43:29 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Anticipatory-Ecologies</guid>

		<description>ANTICIPATORY ECOLOGIES


	



Based on Brighton Marina’s East Arm, the project explores how architecture could anticipate the future. Interested in how future weather can be seen coming towards you from the horizon, the research questions how architecture could generate tacit intuitions such as ‘Red sky at night, Shepherd’s delight’ - experienced as the uncanny feeling that something is going to happen. It imagines a research facility that creates dependencies between scientists in the pursuit of knowledge about the future, and local communities with a tacit understanding of it; by way of their connection to the coastal landscape. An ecology of disparate anticipations is formed.


	


Year 4 Project

Unit x25:&#38;nbsp; Nat Chard, Emma-Kate Matthews, Jerry Tate
Site Location: Brighton Marina, England
Date: January - May 2021
The Bartlett Online Summer Show 2021

X25 Website



&#60;img width="1083" height="404" width_o="1083" height_o="404" data-src="https://freight.cargo.site/t/original/i/592a662b936493cc43dbf96bfbd6684403a4d3633f2106f69c50c73c7736a4e0/JerryScan2.png" data-mid="152248517" border="0"  src="https://freight.cargo.site/w/1000/i/592a662b936493cc43dbf96bfbd6684403a4d3633f2106f69c50c73c7736a4e0/JerryScan2.png" /&#62;

Anticipatory TectonicsEarly studies looking at how spaces could provide knowledge about the future. Silicone spaces become taught or slack depending on air pressure, indicative of weather changes.
&#60;img width="9013" height="2625" width_o="9013" height_o="2625" data-src="https://freight.cargo.site/t/original/i/429232ab80921e91634adf5667a03fc31df8d181864b76218655ba0c478fc262/BARC0174_21_WestAdam_PG25_Portfolio01-9.png" data-mid="152436848" border="0"  src="https://freight.cargo.site/w/1000/i/429232ab80921e91634adf5667a03fc31df8d181864b76218655ba0c478fc262/BARC0174_21_WestAdam_PG25_Portfolio01-9.png" /&#62;
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An Ecology of Disperate AnticipationsDependencies between communities are designed, based upon the exchange of verbal anticipations. The above image deals with the relationship between fisherman and marine biologists. One with tacit knowledge, one with explicit - they both mutually gain from the spatial exchange. 

These relationships construct an ecology.





&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#60;img width="1505" height="1003" width_o="1505" height_o="1003" data-src="https://freight.cargo.site/t/original/i/a23fc141850ce0af0279151b834bd9341ffe27975c03c722a48010699d738213/Bartlett_Summer_2021_MArch_PG25_Adam_West_05.png" data-mid="138326587" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a23fc141850ce0af0279151b834bd9341ffe27975c03c722a48010699d738213/Bartlett_Summer_2021_MArch_PG25_Adam_West_05.png" /&#62;
	&#60;img width="2828" height="4000" width_o="2828" height_o="4000" data-src="https://freight.cargo.site/t/original/i/38aa432047709a30a489926a6d6a39335d9a250606807f3a3236a23576e1c86e/Bartlett_Summer_2021_MArch_PG25_Adam_West_02.jpg" data-mid="138326584" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/38aa432047709a30a489926a6d6a39335d9a250606807f3a3236a23576e1c86e/Bartlett_Summer_2021_MArch_PG25_Adam_West_02.jpg" /&#62;



Water Mediates the ExchangeThe hard barrier of Brighton’s marina wall is broken down, and the force of the waves diffuse through the facility. The water provides a spatial connection to the landscape, whilst mediating conversational exchange through the acoustic/drainage layers.


 


 

	&#60;img width="4000" height="2782" width_o="4000" height_o="2782" data-src="https://freight.cargo.site/t/original/i/d4c666fa66cd19b3d71b9587fdc454ddff34fdc49758c338d5ac9d83b396a59c/Bartlett_Summer_2021_MArch_PG25_Adam_West_04.jpg" data-mid="138326586" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d4c666fa66cd19b3d71b9587fdc454ddff34fdc49758c338d5ac9d83b396a59c/Bartlett_Summer_2021_MArch_PG25_Adam_West_04.jpg" /&#62;
	
	



Short Section


Three primary temporalities are detected. 
The deep future - an eroding chalk ‘geology’ gives a sense of long term change; The immediate future - silicone spaces vary in tautness depending upon incoming weather; and the uncertain (and possibly false) near future - overheard through conversations reverberating through an acoustic structural layer.






&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/ef1ad677c920523f543d220ca96418d78ddfd79dbe1ff0aca88755ae84ad54cb/Bartlett_Summer_2021_MArch_PG25_Adam_West_01.jpg" data-mid="138326583" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/ef1ad677c920523f543d220ca96418d78ddfd79dbe1ff0aca88755ae84ad54cb/Bartlett_Summer_2021_MArch_PG25_Adam_West_01.jpg" /&#62;

Porosity Strengthens Relationships


As weather becomes increasingly more unpredictable over time, the facility becomes ever more porous and unstable - 
increasing the generation and transmission of anticipations between its inhabitants.



</description>
		
	</item>
		
		
	<item>
		<title>Marvila Sanatorium</title>
				
		<link>https://adamwest.xyz/Marvila-Sanatorium</link>

		<pubDate>Fri, 31 May 2019 13:52:26 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Marvila-Sanatorium</guid>

		<description>MARVILA SANATORIUM


	


Where medicine is representative of the human desire to defy entropy, Marvila Sanatorium is an architecture exploring ways of slowing/quickening our perception of time and cheating the inevitable tendency of returning to dust.



The proposal cheats entropy by inverting this natural process of ‘returning to dust’. Starting as a public space installation designed to aerodynamically ‘tune’ the site, the sanatorium is formed of eroded sand from the top of an old quarry site in Marvila, Lisbon. Over long periods of time, sandstone encrusts sap-coated leather membranes, creating ‘spatial medicines’ that form the ‘organs’ of the sanatorium. The project addresses the anxiety of memory deterioration in the&#38;nbsp; town’s elderly, due both to the gentrification/destruction of place and the decline of their physical health.
	


Final Year 3 Project

Unit G:&#38;nbsp; Toby Smith, Justin Chapman, Mike Halliwell


Site Location: Marvila, Chelas District, Lisbon

Date: January - May 2019







	&#60;img width="5892" height="3974" width_o="5892" height_o="3974" data-src="https://freight.cargo.site/t/original/i/d5a82dc05a74a9859f15a9626df04c269f84739a7a0e583152272b23cdd4ed96/Windy.jpg" data-mid="46811345" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d5a82dc05a74a9859f15a9626df04c269f84739a7a0e583152272b23cdd4ed96/Windy.jpg" /&#62;
	&#60;img width="844" height="591" width_o="844" height_o="591" data-src="https://freight.cargo.site/t/original/i/8cc98e7e997a5d2ff3e008da02d0d8ebe81250ff8f370de078a18e4380f98a76/final-2.gif" data-mid="152243608" border="0" data-scale="96" src="https://freight.cargo.site/w/844/i/8cc98e7e997a5d2ff3e008da02d0d8ebe81250ff8f370de078a18e4380f98a76/final-2.gif" /&#62;

Inverting Entropy

Sand/dirt encrusts sap coated leather skins that enclose the organs of the sanatorium.Through the careful tuning of site forces, dirt and ditritus are made to order themselves into an architecture.



&#60;img width="9356" height="6617" width_o="9356" height_o="6617" data-src="https://freight.cargo.site/t/original/i/868df60731ab9caf0346598d05bae6e1543f78ab9e45cf091b3d077fd029cffa/FinalPlansA2-1.jpg" data-mid="43644386" border="0"  src="https://freight.cargo.site/w/1000/i/868df60731ab9caf0346598d05bae6e1543f78ab9e45cf091b3d077fd029cffa/FinalPlansA2-1.jpg" /&#62;
&#60;img width="14198" height="12957" width_o="14198" height_o="12957" data-src="https://freight.cargo.site/t/original/i/9c5e72151be5fd3ab898a091214ab7699749cdeb5e3cf88c221a16612b2fe88d/section.jpg" data-mid="43471463" border="0"  src="https://freight.cargo.site/w/1000/i/9c5e72151be5fd3ab898a091214ab7699749cdeb5e3cf88c221a16612b2fe88d/section.jpg" /&#62;
&#60;img width="12919" height="8946" width_o="12919" height_o="8946" data-src="https://freight.cargo.site/t/original/i/a02bd073e8cca555c8ddcf718308eb6dc55bac196fde07d2be782803755bd827/Plan.jpg" data-mid="43475278" border="0"  src="https://freight.cargo.site/w/1000/i/a02bd073e8cca555c8ddcf718308eb6dc55bac196fde07d2be782803755bd827/Plan.jpg" /&#62;
&#60;img width="9116" height="6364" width_o="9116" height_o="6364" data-src="https://freight.cargo.site/t/original/i/dfc93ecd902d722e802de8d04cb1aa4155bf58a49f33230e18b54717563926d4/FinalPlansA2-2jj.jpg" data-mid="43643752" border="0"  src="https://freight.cargo.site/w/1000/i/dfc93ecd902d722e802de8d04cb1aa4155bf58a49f33230e18b54717563926d4/FinalPlansA2-2jj.jpg" /&#62;
&#60;img width="9084" height="6424" width_o="9084" height_o="6424" data-src="https://freight.cargo.site/t/original/i/2783b6df379549920080b7fbddfdb2a7c572df7dfd8fd5b44776856125954c97/rtg.jpg" data-mid="43643588" border="0"  src="https://freight.cargo.site/w/1000/i/2783b6df379549920080b7fbddfdb2a7c572df7dfd8fd5b44776856125954c97/rtg.jpg" /&#62;



Going Against the Grain


(Section) 


Leather ‘organs’ cling to a steel superstructure. Spaces are designed as ‘spatial medicines’,
each an alchemical attempt to extend life through the transmutation of matter.
Each is a micro-narrative looking to emulate the effect of a certain medication taken by the elderly.





	

(Ground Plan, Bottom Left)A dance hall, where the ‘vira do minho’ takes place around mounds of fallen sand/ditritus, supporting a tensile roof whic sets the pace of the dance - based on the running of commuters up and down the site’s public stairway [attempt to relieve dementia, bring back memories].

(First Floor Plan, Top Right)A communal living room centered around the mindful observation of falling sand/dirt, which forms the pillars below. [attempt to lower blood pressure with mindfulness]


	

(Second Floor Plan, Bottom Right)The sanatorium’s dining room, where residents share a meal surrounded by brightly glowing skins rippling in the sun. [attempt to reduce pain via serotonin]

(Third Floor Plan, Top Left)

A public space lies between the eroded and the deposited. Residents emerge from dark, sheltered bedroom spaces into the bright sun and strong wind [Placebo effect]. From the cold air to submersion in hot water, temperature contrasts ease achey joints [an anti-inflammatory process].




&#60;img width="9355" height="11261" width_o="9355" height_o="11261" data-src="https://freight.cargo.site/t/original/i/da9cba51b2a2862dc1d214a0a8ab64b560f730a955884f93b547d1a26a1eecdc/drawing-entry.jpg" data-mid="47454534" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/da9cba51b2a2862dc1d214a0a8ab64b560f730a955884f93b547d1a26a1eecdc/drawing-entry.jpg" /&#62;
Bedroom Spaces







Bedroom space showing how sand/dirt encrusts leather membranes, which soften over time with wear.Heated using their own small boilers, a warm tea is provided to further the contrast when they emerge outside.




	&#60;img width="6473" height="9355" width_o="6473" height_o="9355" data-src="https://freight.cargo.site/t/original/i/4829c1f8e633dfbd939cecbf4124ad5c4f887fd1f083f4a41908354d78e3fa08/iiyiyiy.jpg" data-mid="43535242" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/4829c1f8e633dfbd939cecbf4124ad5c4f887fd1f083f4a41908354d78e3fa08/iiyiyiy.jpg" /&#62;
	&#60;img width="2772" height="4000" width_o="2772" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ec385ee3776434e69ef09feef91cf32cb2caf9e55092ab00c246380c52eca5c3/DSC_0028.jpg" data-mid="46765357" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/ec385ee3776434e69ef09feef91cf32cb2caf9e55092ab00c246380c52eca5c3/DSC_0028.jpg" /&#62;





&#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/be90acb2fb6ffbdc79785db09749ed92eeba5e9d6a654a9bd55d98e7dab3e92d/DSC_0110.JPG" data-mid="46764315" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/be90acb2fb6ffbdc79785db09749ed92eeba5e9d6a654a9bd55d98e7dab3e92d/DSC_0110.JPG" /&#62;
	&#60;img width="6624" height="4000" width_o="6624" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d0c5eeab24322839e5958405ce66e7df409f3a72f91888542c36baa6ccca85e9/DSC_0922gg.jpg" data-mid="43528213" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/d0c5eeab24322839e5958405ce66e7df409f3a72f91888542c36baa6ccca85e9/DSC_0922gg.jpg" /&#62;
&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Wilcox Road Cabmen's Shelter</title>
				
		<link>https://adamwest.xyz/Wilcox-Road-Cabmen-s-Shelter</link>

		<pubDate>Fri, 31 May 2019 13:52:26 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Wilcox-Road-Cabmen-s-Shelter</guid>

		<description>WILCOX ROAD CABMEN’S SHELTER


	Following an initial investigation into the relationship between our perceived speed of time and our idea of home, a 1:1 device was made to intercept the fast london commute in vauxhall.&#38;nbsp;On the threshold between a slow and fast pace of life, the new cabmen’s shelter for Wilcox/Wandsworth Road intended to relay forgotten memories of the previous day’s commute back to commuters via overheard conversations between cabmen in the shelter. By remembering their forgotten time, the commuter may become aware of the local community (the cabmen included), and be able to make a meaningful connection that previously seemed elusive. The project served as a vehicle to test means of altering one’s perceived speed of time.&#38;nbsp;
Centred around a car wash which acts as a driver for the architectural clockwork, a spatial narrative of stretching out time to the point of having ‘all the time in the world’ becomes the entrance to the shelter for the cabmen. This lazy sense of time naturally interrupts the commuter’s timeline. A language of oblique steel panelling reverberates the cabmen’s tactless conversations about customers through to the commuter’s waiting seats/spaces, which open slowly, increasing reverberation and enticing the commuter to stay longer and overhear their forgotten commute.

	Semester 1 Year 3
Unit G: Toby Smith
Site Location: Wilcox Road, Vauxhall, London
Date: September - December 2018






&#60;img width="900" height="500" width_o="900" height_o="500" data-src="https://freight.cargo.site/t/original/i/3dd1a6b20c892262dafde536d4f42869e4d3d8461a5e3548fe1975dc8a95cfbf/DSC_0784_1.gif" data-mid="50315977" border="0" data-scale="54" src="https://freight.cargo.site/w/900/i/3dd1a6b20c892262dafde536d4f42869e4d3d8461a5e3548fe1975dc8a95cfbf/DSC_0784_1.gif" /&#62;&#38;nbsp; &#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/61cc7f282b103daf45402607092a87038c3ba3f424e43cd219fc57bc0f06f524/DSC_0829.JPG" data-mid="43630907" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/61cc7f282b103daf45402607092a87038c3ba3f424e43cd219fc57bc0f06f524/DSC_0829.JPG" /&#62;&#38;nbsp; &#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/0354c86f9c69a1c0375f22847da371d26c5b7ae3551dad50b00d1bfa2815cbfe/tgrtrwht.jpg" data-mid="43630899" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/0354c86f9c69a1c0375f22847da371d26c5b7ae3551dad50b00d1bfa2815cbfe/tgrtrwht.jpg" /&#62;

How does time relate to gentrification?Occupants of little portugal seemed to live at a different pace of life to their 

London

neighbours.



 &#60;img width="16857" height="11797" width_o="16857" height_o="11797" data-src="https://freight.cargo.site/t/original/i/5a26b95b48de81eeb4640090d7b63dac1349b267bc66a1d669eaf221cfe514fe/Commute1.jpg" data-mid="43631724" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/5a26b95b48de81eeb4640090d7b63dac1349b267bc66a1d669eaf221cfe514fe/Commute1.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#60;img width="18342" height="13307" width_o="18342" height_o="13307" data-src="https://freight.cargo.site/t/original/i/58bf6ea1c5272c754b99555267bce1631ee6cc793cf6d225cfef3403d21ae883/Time-mtap-2.jpg" data-mid="43631572" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/58bf6ea1c5272c754b99555267bce1631ee6cc793cf6d225cfef3403d21ae883/Time-mtap-2.jpg" /&#62;

Analysis of gaps in the commuteUsing drawing and videography to uncover momentary lapses in attention.


&#60;img width="2016" height="1332" width_o="2016" height_o="1332" data-src="https://freight.cargo.site/t/original/i/56587cc6cf6691df7b7f43d663de388d657e4b0f42c327344e2f9b57df973379/FinalSectionActualSize.jpg" data-mid="43565787" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/56587cc6cf6691df7b7f43d663de388d657e4b0f42c327344e2f9b57df973379/FinalSectionActualSize.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#60;img width="1458" height="3000" width_o="1458" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7cd6e078ff07513bd07985116bfbf2099b6d5a01cb45b62d6d9f6643b9781a77/iso.jpg" data-mid="43629852" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/7cd6e078ff07513bd07985116bfbf2099b6d5a01cb45b62d6d9f6643b9781a77/iso.jpg" /&#62;

Relaying forgotten timeThe commuter’s fogotten time is relayed back to them in the form of tactless conversations, reverbering through the shelter. A xylophonic staircase stretches time like waiting for a kettle to boil with its ascending squeal.


	&#60;img width="13244" height="9355" width_o="13244" height_o="9355" data-src="https://freight.cargo.site/t/original/i/a3d624e7bcd4573fc7aeb44a0714ec9e3154703617be115b1cabbc1d11f3047b/a1-4.jpg" data-mid="43629968" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a3d624e7bcd4573fc7aeb44a0714ec9e3154703617be115b1cabbc1d11f3047b/a1-4.jpg" /&#62;
	Rinse

Steam condenses onto folded aluminium ‘gutters’, creating a weather system that washes the car. The car becomes physically connected to the building and is used as an experiential actor - like the ticking hand of a clock.

As the driver ascends the stairway, each step becomes physically longer and more exerting with height. A stream of water flows down the handrail they are using, giving them the uncanny sensation that they are heading upstream.&#38;nbsp;
&#38;nbsp;
	

The Rank
Meanwhile, a commuter waits at the rank, purchasing a coffee to pass the time. Their attention caught my moving shadows above, they begin to hear voices. Listening in, their chair softly rotates backwards, sealing them inside and amplifying the sounds. The commuter listens closely as they realise it is the cabmen; talking about yesterday’s clients. Unable to remember their commute for re-assurance, they overhear an embarrassingly twisted, boastful story about them being told to the other taxi drivers, reverberating through the galvanised steel chambers of the shelter.

	
	&#60;img width="11626" height="10060" width_o="11626" height_o="10060" data-src="https://freight.cargo.site/t/original/i/c64594b759cbbefa89df9a2ec9a47000b9e1c41a8d5b664e53e2326d1257edd0/sketch1.jpg" data-mid="54511601" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c64594b759cbbefa89df9a2ec9a47000b9e1c41a8d5b664e53e2326d1257edd0/sketch1.jpg" /&#62;

 &#38;nbsp;
	&#60;img width="3960" height="2674" width_o="3960" height_o="2674" data-src="https://freight.cargo.site/t/original/i/5f6eef298ea424dfdfb3a846ad528c9fba34da6903752fbc95f00becd8afdbda/bigsectionimage.jpg" data-mid="43632143" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5f6eef298ea424dfdfb3a846ad528c9fba34da6903752fbc95f00becd8afdbda/bigsectionimage.jpg" /&#62;

	




	

The Taxi
On their next commute, they engage in careful conversation with the driver, closely monitoring their behaviour and observing the journey in great detail. Due to this, they began to notice what was previously elusive; the personality of the driver, their accent, the details of their small-talk.The next morning, the commuter arrived early at the shelter to listen to theirs and other people’s forgotten commutes.


 &#38;nbsp;
&#38;nbsp;
&#60;img width="1500" height="1040" width_o="1500" height_o="1040" data-src="https://freight.cargo.site/t/original/i/9a2eb336bf14841772e0cc0507cd3983a57b121bf9fb19c3e89265a85637a8cc/Untitled-111111.jpg" data-mid="43634250" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/9a2eb336bf14841772e0cc0507cd3983a57b121bf9fb19c3e89265a85637a8cc/Untitled-111111.jpg" /&#62; &#38;nbsp;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/a5efc5a7944dc90c0c7fb432f8ce33247fcef65ac723eb00b1bf53bce3ce3372/IMG_1781-1.JPG" data-mid="43632579" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/a5efc5a7944dc90c0c7fb432f8ce33247fcef65ac723eb00b1bf53bce3ce3372/IMG_1781-1.JPG" /&#62;

Interjecting slow into fastThe ‘fast’ seats of the bus stop are used as a hinge for a comfortable seat, designed to disrupt the fast pace of the city.


</description>
		
	</item>
		
		
	<item>
		<title>Siena Public Baths</title>
				
		<link>https://adamwest.xyz/Siena-Public-Baths</link>

		<pubDate>Fri, 31 May 2019 13:52:27 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Siena-Public-Baths</guid>

		<description>SIENESE PUBLIC BATHS


	


A combination of digital and physical experimentation with gyroidial space-making techniques became synthesised in a spatial language of ‘blends and voids’. Siena is a city divided into distinct regions, each with individual identities and traditions. Often lying between contrade, these boundaries would have crossed at the bathhouse. Interested in the typical interiority of these bathhouses, the project created conditions simultaneously inside and outside, public and private, introspective and extrospective.
	Year 2 Final Project
Unit C: Barry Wark,&#38;nbsp;Andreas Körner, Pravin Ghosh
Site Location: Piazza de Mercato, Siena, Tuscany
Date: January - May 2018&#38;nbsp;



&#60;img width="4288" height="2224" width_o="4288" height_o="2224" data-src="https://freight.cargo.site/t/original/i/0f3fbc7771be013fb89988906d8978f5ae1bf0662dac2589e8b5ff587abe62a8/SP1_02451ee.jpg" data-mid="43567942" border="0"  src="https://freight.cargo.site/w/1000/i/0f3fbc7771be013fb89988906d8978f5ae1bf0662dac2589e8b5ff587abe62a8/SP1_02451ee.jpg" /&#62;

Introspection - ExtrospectionA language of blends and voids control degrees of interiority.


&#60;img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/aee5ba30212637d6b3d49870f273defddf69074c85067ee52f3a4456ee10b2ea/SP1_0315.NEF.jpg" data-mid="152416302" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/aee5ba30212637d6b3d49870f273defddf69074c85067ee52f3a4456ee10b2ea/SP1_0315.NEF.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="894" height="594" width_o="894" height_o="594" data-src="https://freight.cargo.site/t/original/i/d891d555efc5c92b477ba988d3497661efdaee53eb9ce96d8cae380e3009ea8d/Capturyyyyyye.PNG" data-mid="152435020" border="0" data-scale="49" src="https://freight.cargo.site/w/894/i/d891d555efc5c92b477ba988d3497661efdaee53eb9ce96d8cae380e3009ea8d/Capturyyyyyye.PNG" /&#62;

Blending Public and Private&#38;nbsp;Folding layer-spaces allow for public and private areas to remain distinct, yet closely related with each other.

&#60;img width="3918" height="2669" width_o="3918" height_o="2669" data-src="https://freight.cargo.site/t/original/i/7f61fab39035dca0f40f92699dff6c37a0f01a64cb5785c8b8b5621248543608/SP1_03311.jpg" data-mid="152417754" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/7f61fab39035dca0f40f92699dff6c37a0f01a64cb5785c8b8b5621248543608/SP1_03311.jpg" /&#62;

Sectional ModelLandscaping penetrates into the bathouse interior. The sectional model described

a narrative

of moving from
interior (mental) concerns, to that of the exterior - using varying water temperatures.




&#60;img width="4050" height="1044" width_o="4050" height_o="1044" data-src="https://freight.cargo.site/t/original/i/b7c9713fb2f654640e7fcc19791e188f47d3ffc685a0c3358a36c1ab56db8e4e/Render1.png" data-mid="43624361" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/b7c9713fb2f654640e7fcc19791e188f47d3ffc685a0c3358a36c1ab56db8e4e/Render1.png" /&#62;&#38;nbsp;
 &#38;nbsp;&#38;nbsp;
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</description>
		
	</item>
		
		
	<item>
		<title>Botanical Gardens Ticket Office</title>
				
		<link>https://adamwest.xyz/Botanical-Gardens-Ticket-Office</link>

		<pubDate>Sun, 09 Jun 2019 21:54:32 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Botanical-Gardens-Ticket-Office</guid>

		<description>BOTANICAL GARDENS TICKET OFFICE


	
Discovering gryroidial forms throughout nature, from within the structure of a butterfly’s wing to the inner structure of bones, it appears to have evolved to be a material saving alternative to a solid construction. The gyroid is at once solid and open. Though it has no interior, it fills space and performs the same function. Questioning notions of 

interiority and the ‘walled garden’, the project was used to develop a spatial language based on the gyroid.
	Semester 1, Year 2

Tutors: Barry Wark, Andreas Korner, Pravin Ghosh

Location: Oxford Botanical Gardens, Oxford

Date: September to December 2017


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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	</item>
		
		
	<item>
		<title>Miscellaneous</title>
				
		<link>https://adamwest.xyz/Miscellaneous</link>

		<pubDate>Sun, 09 Jun 2019 21:56:18 +0000</pubDate>

		<dc:creator>Adam West</dc:creator>

		<guid isPermaLink="true">https://adamwest.xyz/Miscellaneous</guid>

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